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Anahita

Arədvī Sūrā Anāhitā(Avestan)

Also known as: Ardvi Sura Anahita, Anahid, Nahid, Anaitis

Anahita
Anahita Vessel, 300-500 AD, Sasanian, Iran, silver and gilt - Cleveland Museum of Art - DSC08130Archive

Mythological Narrative

Anahita, in full Aredvi Sura Anahita, "the moist, the strong, the immaculate," is the Zoroastrian goddess of the waters, of fertility and increase. The fifth Yasht of the Avesta, the Aban Yasht, is devoted entirely to her and dresses her in exact detail: a strong fair maiden, high-girdled, wearing a gleaming mantle of thirty beaver skins and a golden crown set with a hundred stars and eight rays, with earrings and a necklace of gold. Her river falls from the peak of Hukairya into the world sea Vourukasha, equal in volume to all the rivers of the earth together, and her chariot is drawn by four horses: wind, rain, cloud, and sleet.

The Aban Yasht catalogues her petitioners, a miniature roll of Persian legend: righteous men such as Yima and Thraetaona — the later Jamshid and Fereydun — sacrifice to her and are granted victory, while the three-headed dragon Azhi Dahaka offers a hundred horses, a thousand oxen, and ten thousand sheep, praying to empty the earth of men, and is refused. Her standing rose sharply in the late Achaemenid period: Artaxerxes II (r. 404-358 BCE) names her beside Ahura Mazda and Mithra in his inscriptions, and classical authors record that he set up her statues in the great cities of the empire. The Sasanians made her a patron of kingship; the family of Ardashir I, founder of the dynasty, served as hereditary priests of the Anahid fire temple at Istakhr, and the great stone platform at Kangavar in western Iran has long been associated with her worship.

Scholarly Commentary & Evolution

## The Aban Yasht

Yasht 5 is Anahita's hymn. Ahura Mazda commands sacrifice to 'this spring of mine', a river as large as all the waters on earth that runs from the height Hukairya down to the sea Vouru-Kasha, and from which all the waters of the seven regions of the world flow. She purifies the seed of males and the wombs of females and brings safe birth and milk. The hymn then catalogs heroes and villains who sacrificed to her, granting the prayers of the righteous and refusing the wicked, and it ends with a vivid description of her as a tall, strong maiden in a golden mantle, with golden earrings, a crown of stars, and robes of beaver skins.

## A royal goddess

Artaxerxes II (r. 404-358 BCE) names Anahita with Ahuramazda and Mithra in his inscriptions, and the Babylonian priest Berossus, quoted by later Greek authors, says that he set up statues of 'Aphrodite Anaitis' in cities across the empire, an innovation in a religion that had not used cult images. Under the Sasanians, the dynasty's ancestor Sasan was remembered as the custodian of a fire temple of Anahid at Istakhr, and Sasanian kings honored her.

## Name and identifications

The name combines several epithets: *aredvi* ('moist' or 'high'), *sura* ('strong'), and *anahita* ('undefiled'). Scholars have long compared the heavenly river with the Vedic river-goddess Sarasvati, whose name is cognate with the Iranian region Harahvaiti, and Greek writers equated Anahita with Artemis or Aphrodite.

Cross-Pantheon Parallels & Archetypes

hindu
saraswati
Both are divine rivers personified as goddesses of fertility and purity; the Avestan region name Harahvaiti is the cognate of Sarasvati, and scholars have long compared Anahita's heavenly river with the Rigvedic river-goddess.
greek
aphrodite
Berossus, as quoted by Clement of Alexandria, calls the image Artaxerxes II set up 'Aphrodite Anaitis'; Greek writers also identified her with Artemis. The equations reflect Greek interpretation.
Scholarly Symposium & Field Notes

Academic Discussion & Critique

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